One line can erase a body. Another can bring one into being. Drawing becomes a space of transformation. In ANAHITA JUDAKI’s work, the body turns into graphic matter; in ASTRID KÖPPE’s, the line gives rise to forms suspended between organism and structure. One dissolves the image, while the other allows it to emerge. Through distinct gestures and materials, the two artists explore the shifting relationship between image, matter and form. In Judaki’s work, the body dissolves into rhythms and tensions; in Köppe’s, the line generates forms that oscillate between structure and organism. The image is no longer represented: it becomes matter.