Rendez-vous
About the exhibition
Echo
Gregory Hodge
Start 04 Sep 2025
End 18 Oct 2025

Gregory Hodge’s paintings navigate the intersection between abstraction and figuration, layering personal imagery with gestural marks and obscured motifs. His works blur the boundaries between two- and three-dimensional space, creating illusionary compositions that challenge perceptions of reality. Drawing inspiration from artists like Pablo Picasso and Georges Braque, Hodge employs trompe-l’oeil techniques, cast shadows, and intricate surface manipulations to evoke the fragility and temporality of his original mixed-media collages. His recent works mark a shift from pure abstraction to more representational imagery, incorporating landscapes, interiors, and architectural elements informed by personal memory. Gregory Hodge (b.1982, lives and works in Paris, FR) holds a BFA from the Australian National University Canberra School of Art, Canberra, AU and graduated there as a Doctor of Philosophy/Fine Arts. He has had solo exhibitions with Sullivan+Strumpf, Sydney and Melbourne, AU; Le Pavé d’Orsay, Paris, FR and Bus Projects, Melbourne, AU. Recent group exhibitions were held at Manly Art Gallery & Museum, Sydney, AU; L’Ancien Theatre, Beaune, FR; Carriageworks Sydney, AU and Sullivan+Strumpf, Sydney, AU. His work is held in public collections like the Art Gallery of New South Wales, Sydney, AU; National Gallery of Australia, Canberra, AU and the Thrivent Art Collection, Minneapolis, MN, US. In September 2025 he will have his first solo exhibition with Nino Mier Brussels.

About the venue
Nino Mier Gallery

Midtown - Gallery
Thursday September 4 - Sunday September 7: 10-18h
Rue Ernest Allard 25, 1000 Bruxelles
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Nino Mier Gallery is a contemporary art gallery with spaces in New York City, New York; and Brussels, Belgium. The gallery maintains a roster of established and emerging artists, predominantly focused on painting, but with an emphasis on sculpture and photography as well.

Nino Mier opened his first gallery in 2015, following a successful career as a private dealer and art advisor. Driven by a desire to work more closely with artists and foster their growth, Mier launched a 500-square-foot space in West Hollywood. His vision was to challenge the established norms of the Los Angeles art scene and introduce artists who were largely unknown in the city at the time.

The inaugural exhibition featured Jan-Ole Schiemann, a promising young artist who, like Jana Schröder, Andreas Breunig, and Thomas Wachholz, studied at the renowned Kunstakademie Düsseldorf. These early exhibitions set the tone for the gallery, which quickly became known for showcasing emerging talent and artists with strong conceptual practices. Following the success of Schiemann’s debut, Mier continued to expand the gallery’s roster, adding artists such as Anke Weyer and André Butzer.