This exhibition brings together the work of Hudinilson Jr. and Charbel-joseph H. Boutros, two artists whose practices, though developed in different contexts and generations, resonate in their exploration of visibility, intimacy, and the limits of perception. Hudinilson Jr. (1957–2013) was a key figure in the Brazilian avant-garde, known for his pioneering use of the photocopy machine as both medium and method. Beginning in the late 1970s, he used xerox as a way to fragment, enlarge, and abstract his own body, creating works that move between image and texture, figuration and disappearance. His ongoing exercise of literal self-expression reflects a deeply personal and experimental approach to self-representation and the visual language of desire, reproduction, and loss. Charbel-joseph H. Boutros (1981) works with absence as a material condition. In his sculptures, texts, and spatial interventions, visibility is charged with personal, geographical, and historical weight. Often subtle and minimal, his gestures open spaces where silence, darkness, and time take on form. Boutros uses the exhibition space as a site where reality is quietly reframed. Presented together, the works of Hudinilson Jr. and Charbel-joseph H. Boutros reveal parallel strategies of withdrawal, repetition, and transformation. While one confronts the surface of the body, and the other touches on the immaterial, both challenge what it means to be seen and what remains when the image fades.